After a year of talking with working professionals, we learned that boom operators of today demand a shorter, lighter microphone with a slightly wider pickup pattern for multi-talent scenes. Enter: the S-Mic 2S – perfect for reality TV crews, indoor sit-down interviews, and indie filmmaking.
A length of less than 6 inches (15cm) means low indoor ceilings are never a problem on your set. The shorter interference tube also reduces the chance of phasing issues with reflections.
The S-Mic 2S is just as light as other industry standard mics used on film sets. Coming in at a mere 3 ounces, you might even forget you have a microphone on the end of your boom pole.
Perfect for the documentary and reality TV crew, the S-Mic 2S is right at home as an onboard mic for bigger cameras that need to be ready to face the elements.
Designed to work in tandem with its big brother to help transition an audio crew from outdoors to indoors without having to worry about matching sound profiles.
| SPECIFICATIONS | |
|---|---|
| Sound Field | Mono |
| Transducer | Condenser |
| Polar Pattern | Supercardioid |
| Frequency Range | 50Hz to 20kHz |
| Equivalent Noise Level | 15 dB A-Weighted |
| Maximum SPL | 130dB |
| THD | <0.5 % |
| Impedance | 75 Ohm |
| Load Impedance | 800 Ohm |
| Sensitivity | 32±2dB re 1V/PA @ 1 kHz |
| Output Connectors | 3-Pin XLR |
| Operating Current Consumption | 1.5 mA |
| Operating Voltage | 24 V / 48 V |
| Operating Temperature | 14 to 158°F / -10.00 to 70.00°C |
| Length | 148 mm |
| Diameter | 19 mm |
| Weight | 85g |